Well it’s that time of year and I have now finished my 5 paintings which are to be printed on to Christmas cards. If you would like to purchase a set of the cards (5 cards in a set at £3 + p&p) please feel free to send me an email request





my experiences, my work & my inspiration
Well it’s that time of year and I have now finished my 5 paintings which are to be printed on to Christmas cards. If you would like to purchase a set of the cards (5 cards in a set at £3 + p&p) please feel free to send me an email request





With a new project on the go which is in need of digital artwork, I thought it’s time I tried to master digital art. With this piece I got a few images of monkeys and lizards and sketched out a couple of ideas of how the two animals would look merged together. With my favourite sketch I sorted out the line work and scanned it in. Once taking away the white background I blocked out the shapes with grey tones and then worked in some definition. With a more complete shape I added a colour layer and then another layer for texture and then added highlights. For the background I used a texture brush and then used a clouded layer and gradients to give it depth.
Posted in Digitial Art
Here is my latest painting of a white tiger. This painting was done using gouache paint on A2 watercolour paper. Before starting this one I thought it was about time I gave something back and decided to turn it into a bit of a tutorial for you guys. So here goes!
I started off with a sketch of the painting. Doing a sketch first is a good way to start, it helps get everything into perspective, making sure that everything is right in proportion to the rest of the painting (we don’t want any over sized heads etc do we!).
The next thing I did after doing my sketch was to start blocking in the colour. This is a very rough stage but something that needs to be done to make sure your colours are on the right path. For most of the block in of colour I used a sponge, my reason for this is that the sponge gave a nice rough texture so worker well for a blurring effect on the background as well as the rough rocky effect for the ground beneath the tiger. When it comes to doing animals, fur is usually involved and the best way to do fur is layering, so always start off with a darker colour as your blocking in colour.
Once you have blocked in the colours you can start adding some textures and shapes to the paintings like leaves. Add in dark tones and highlights to give the painting some depth.
Now that you have added in a good amount of your background, we can focus on the main part of the painting, the tiger! A good way to start off with tigers in particular is to draw in their stripes first. Doing this makes helps the end result have a more layered feel so that you haven’t just got blocked black lines on top of your nice fur texture.
Now it’s time for the fur. For is something that can never be rushed if you want a realistic finish. With fur you have to look at the direction it is going as well as where the fur starts and where it ends. Generally with all animals the fur will start from the tip of the tail and the feet and work its way to the nose. Using this direction start off with a darker colour, slightly lighter than your base colour and start adding fine strokes in varies rows, overlapping each row, make sure you vary your strokes too. Once you have worked your way right to the nose, go back to the beginning and do the same but using a lighter colour. You will need to do about 3 layers of fur, then finally do another layer with white to give the highlighted effect. To get the toned effect for the shadowed areas weigh for the fur to dry and then, using a light wash of a darker colour, go over the shadowed areas, the watery wash should just colour the fur rather than replace the paint. Play about with the stage with different shades to get the desired effect. Once you have finished the fur start working on finer details such as the eye and then look to the rest of the painting for areas that you can improve on.
Keep going until you really don’t think there is anything else you can do to it, you will know when you are finished when you are truly satisfied with the painting, don’t forget, sometimes going further and adding too much more can ruin the painting.
So there you have it, you can also use many techniques from this tutorial in many other paintings so just give it a go!
Well here’s a fun one I did recently. My partner had to do an “eat healthy” poster for her course so of course she got me to do it ( I demanded the grades that she receives for the poster, not that they would count for anything :S). So I thought about the topic of eating healthy and for some reason the vintage poster for “It came from the swamp” sprung to mind, so that’s what I based the poster on, it carries the massage of course that fast food will always get you in the end.
Posted in My Work
Painting entitled “Sunset Horse”. This was painted on A3 watercolour using gouache paint. The painting took roughly 4 and a half hours from start to finish.
Posted in My Work
The first of a series of paintings which I will be exhibiting in the summer. This painting is painted in gouache on A3 watercolour paper. I chose this image as the wolf gives such a powerful presence with such wonder in his eyes. This was also a great piece to work on my fur technique. I used a series of layers of brush stokes, then blurring the layers and then layering over again to give even more depth, I really liked the technique, much more time involved but worth it.
Posted in My Work
So here it is, the first in the series of “The Mischievous Cat”. Based on my partners cat and his antics I will be creating a series about his humorous ways. Throughout the series I will be sharing with you the joys of a somewhat mischievous cat, showing that beneath the cute, cuddly fur ball, is what at times seems to be an evil creature with horns.
Well ok maybe he’s not that evil, or is he?
Posted in Cartoons
The Alaskan Malamute. A beautiful dog and this one in particular belongs to a friend of mine. Painted on A3 I had to try and get every detail as well as I possibly could. To achieve this I like to use a mixture of watercolour paint and Gouache paint. I started off with the watercolour paints to produce the subtle tones and then as I progressed through the painting I worked in some gouache paint, generally for the white and black tones to give them a more vibrant feel as this can generally only be achieved through Gouache paint. Using both a fine brush and a large brush flared, I was able to get a good hair texture going, layering the fur with different tones to get a more realistic effect. Once everything was in place, I put in the highlights and snow effect to give the painting a real atmosphere.